A variety of results & progress around the shop...

The dyeing went wonderfully. The cats got into the skeins in the middle of the night, so they're looking a little bedraggled, but the colors took beautifully. I did a second round yesterday since the rig was already set up, where I tried various levels of dilution with spring water, and I love the results. Pastels on gleaming fibers, my dream!

They have a bit of "bedhead"...

They have a bit of "bedhead"...

Maybe I haven't gotten the hang of Parme Rose (some dyes are trickier than others), but I keep getting a camel-ish tone. It's lovely, but not as pink as I'd like.

Maybe I haven't gotten the hang of Parme Rose (some dyes are trickier than others), but I keep getting a camel-ish tone. It's lovely, but not as pink as I'd like.

Oh, that lavender, though...

Oh, that lavender, though...

I checked up on the salt-and-sequin pour. I find the result very humorous, but perhaps I've hit an end with this line of inquiry, at least for now.

Maybe a map of an island?

Maybe a map of an island?

These crystals are smaller and more uniform. I'm not a chemist but I assume the smaller puddle evaporated more quickly and didn't give it time to develop those lavish, massive encrustations from the earlier salt pour.

These crystals are smaller and more uniform. I'm not a chemist but I assume the smaller puddle evaporated more quickly and didn't give it time to develop those lavish, massive encrustations from the earlier salt pour.

My father picked me up some Aji-no-moto MSG (monosodium glutamate) from the Japanese market and I left this guy in the studio today to dry down overnight. I'm a huge fan of MSG conceptually and practically, though I use it extremely rarely in cooking (once in a while, a pinch in a pot of rice is magic). There's so much cultural and gustatory interest in the chemical for me; the idea of "umami" is fascinating; the branding of this flavor-awareness as Asian-specific is also fascinating. It's less neurotoxic and scary than people think. I'd like to play with MSG as a material for a while...

Dust from an old cup trapped in the solution.

Dust from an old cup trapped in the solution.

I unboxed some murrine I created in Kait Rhoads' fabulous workshop I took a few years ago and have been arranging them loosely while imagining some fused worry stones for anxious types like me. People are so fond of the idea of murrine being a cross-section, as well as the notion that it is drawn thinly to concentrate a pattern and give a high degree of intricacy. Of course this interests me, but I also like thinking of these murrine in a totally different way: as each individual piece being a prismatic little beacon that light shines THROUGH, giving geometric and colored light projections.

Finally, on my way out the door, caught the shop owners working hard on a Sunday night...

Sequins, kiln unload, more salt & alchemy

At the studio today: unloading the first batch of kiln tests/future pendant blanks. "Blanks" meaning here that they are unshaped, raw pieces that will eventually be cut, faceted, and polished in a cold shop.

Testing laboratory glass slides with specimen wells, Glassline brand paints, white glue + mica flakes, Uroboros powdered colors and handmade sheet glass (blown cylinders from Spectrum 96).

Testing laboratory glass slides with specimen wells, Glassline brand paints, white glue + mica flakes, Uroboros powdered colors and handmade sheet glass (blown cylinders from Spectrum 96).

Also continuing with the salt solutions––picking up and examining yesterday's dried vellums, and pouring new batches onto little plastic sequins to see what sort of half artificial/half crystalline formations we can create.

Carefully staged action shot...

Carefully staged action shot...

Iridescent little flowers...

Iridescent little flowers...

Examining one of yesterday's paintings in the sunlight pouring in through the skylight...click the image to see the studio shots.

Examining one of yesterday's paintings in the sunlight pouring in through the skylight...click the image to see the studio shots.

We then moved on to organization. Over twenty different kinds of hand-dyed cultured pearls in all types of gorgeous nacred pastels and jeweltones, rebagged into glassine envelopes.

We had some sorting of silver and gemstones to do, as well...so I used my folded-silver boat ring from my very first jewelry class as a scoop...

Scars, hairs, African textiles from ASOS and my most favorite birdie scissors.

Scars, hairs, African textiles from ASOS and my most favorite birdie scissors.

We've got the "gallery wall" on the close-side wall of the studio up and running.

Finally, my long-awaited copy of Cumbrian Alchemy, featuring the work of my friend/atomic priest Bryan Wilson and his colleague Robert Williams. You can purchase a copy by contacting artshop@cumbria.ac.uk.